creativity

Good for the Spirit, Good for the Mind

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As I write this there’s a huge, understandable panic that AI is being used by students so much they don’t know how to read and analyze it. If you are reading this in a future years removed from this essay, I hope you live in a world where AI isn’t such a concern, and you’reNOTin some post-apocalyptic disaster.

Anyway, whatever your chronological state, here in 2025 it’s been quite a concern. If you let AI write for you, analyze for you, etc. you are essentially outsourcing your thinking and your humanity. You will not develop skills you need to read books and understand things, and the skills you do have will decay.

This in turn made me think about spiritual and philosophical writing and how it trains you to read, analyze and understand. For the sake of brevity to encompass such things for self-development I shall call them spiritual works here.

When we sit down with a spiritual work we are attempting to contemplate, grow, and understand some very serious issues. We bring to it a desire to understand and grow, to engage with the work. The attitude of becoming involved in the work is there at the start.

In turn, the engagement is needed.

Spiritual works are about deep issues, and you will find yourself pausing to contemplate and analyze. We’ve all experienced moments where a paragraph or a page can hold our attention for a half hour. In spiritual works, you may find yourself going over something word by word just thinking what it means.

Spiritual works often use symbolism and metaphor as that may be easy to communicate complex truths, represent the otherwise indescribable, or lead you around a bit to help you learn. Symbolism also helps you think, how the symbols work together, what they really mean, and so on. Again, you are engaged with the work, connected to it.

Finally, many spiritual works are often grounded in a place, a person, an experience, a lineage, etc. To engage with spiritual work is to engage with much more than a book or a menial or a series of poems – it’s to learn about who produced it and the situation that led to it. One small book can lead you to a world of context – and a greater point of view.

Reading a good spiritual work teaches you to read, analyze, understand. A person with an interest about such issues can, in time, give themselves ersatz literary training. I once read a book called DIY MFA about how a person can read and write and analyze to gain similar experiences to getting an MFA – and that feels very familiar in spiritual writing.

So in a world of AI writing and AI reading, remember our spiritual pursuits. Sitting down with a book on philosophy or meditation or metaphysics isn’t just enriching morally or spiritually – it’s enriching literately. Your wrestling with ethics or breath meditation or divinities also helps you learn to read, analyze, and understand.

Just another reason to do it, I suppose.

-Xenofact

The Talent of Delusion

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I’ve been thinking about Conspiracy theories a lot. I mean as my regular readers I know I do that anyway, but as 2025 is the age Conspiracy Theories and reality collide at lightspeed, I’m thinking more. Mostly I’m asking how did we get here – not in the exact causal sense, but how the Conspiracy Theorist mind works.

Lately among my readings, viewings, and podcast-listening I realized that Conspiracy Theory Believing requires skill.

If you’ve ever listened to someone go on about Conspiracy Theories, you realize they are retaining a complex alternate world inside their head. They have a skill to retaining and organizing that information about things that are, let us be honest, not true, sometimes bonkers, and often very bigoted under the skin. Yet these folks can recall it.

More than that, they are constantly resolving conflicts in their theories. Conspiracy Theorists are having the world collide with their beliefs all the time. New facts come in, the apocalypse doesn’t come, the hated (often female and/or PoC) politician resigns, the space lasers don’t fire. Conspiracy Theorists have to re-spin their tales all the time or else they have to question them, and if they questioned them they wouldn’t be Conspiracy Theorists. They’re maintenance experts on believing an illusion.

But Conspiracy Theorists also collide, believers who believe vaguely different things come together – and they display a talent for taking new input and combining them. This is the infamous “yes, and” discussions you can see among True Believers, where a person states one belief, and a slightly different believer agrees, then adds onto it. If you’ve witnessed a Conspiracy Theorist get on a good rant going at an event or in a conversation, you can see this happen at amazing speed as people ask questions.

(The Knowledge Fight podcast focuses on Alex Jones, but has covered other subjects, and in almost all cases you can see their subjects build mythology in real time.)

Conspiracy Theory is a skill, skill is similar to if not exactly the same as the worldbuilding done by writers, gamers, game designers, and artists. They have an ability to create on the fly, to recall vast information, and to adsorb and polish information. The jaw-dropping connections of a Tonspiracy Theorist are all too close to the clever ideas of a good writer to act like they’re not two branches of the same tree.

Conspiracy Theorists are easier to understand if you realize they had a skill at such creations (that they misused) or that they have developed it. It also means the evil grifters are even worse because they have some skill here and use it to screw up the world.

This gives me pause to other ways we might use such an insight to help those lost in these conspiracy worlds to get out.

  • We can recognize this “talent at fabulation” by asking “does this person sound like they’re worldbuilding?” It’s a key to detection. Also if the theorist in question is some evil grifter, we can help people avoid them.
  • If we’re trying to help the Conspiracy Theorist, realizing a skill is being deployed will allow us to help them find their way back with the various oft-discussed techniques.
  • This skill they developed might be channeled elsewhere. As facetious as it sounds, I wonder how many people who have developed this creative skill might find outlets elsewhere. I’m not saying they should write fiction, but who knows?

It’s strange as I think over this insight. I realize some people I’ve seen, some I despise, really do have a skill. It’s just been used or developed in ways making the world worse.

-Xenofact

Creativity and the Celestial Mind

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In my readings of Taoist mysticism, there’s an idea from some works (that dates back a bit over 1000 years by my guess) that describe the Human Mind and the Celestial Mind. The Human Mind is often described in terms of Yin, the receptive force of the universe, but a very pathological form – grasping, distracted, etc. Meanwhile the Celestial Mind, the enlightened mind, is described as Yang, the creative force, but concealed by the Human Mind. The creative power and the receptive form-giver are out of wack.

I found this concept helped appreciate my artistic creativity and it’s helped me in my meditations. In fact, I plan to write on this more.

The metaphor of the Human versus Celestial Mind is a helpful metaphor understand meditation. Our human mind, pursuing various activities like breathing, clarifies and calms itself, so something else emerges – the Celestial Mind. We’ve probably all been there – a state of clarify, powerful, subtle, and of course something we keep getting back to again and again as we keep getting away fro it.

With this metaphor of this Celestial Mind, this clear and calm yet somehow powerful and creative force, I began noticing something about my creativity.

When I was really creative, such as with my surrealist art, there was something about it. It was emergent, it wasn’t exactly part of my “everyday mind.” After a good art session I felt different, in touch with something, though it was almost like there was a hole in my regular self that something else poured through. It felt similar to what happened in meditations, those moments where you’re gone but something is there.

I also noticed similar experiences with energy work. Meditating on bodily energies (wether you consider them more metaphor like me or not) leads to a kind of clarity and a sense of something deeper within us. When you’re aware of your body, you’re aware of all the STUFF going on. This was also similar to that sense of creativity, of touching something greater.

Using the above metaphor of Human and Celestial Mind, of a pathological form of Yin and a concealed Yang, I appreciated the meditative element of creativity. When you really get going something shifts, the everyday you fades away and something else comes out. The “you” experienced in meditation and the creative you are similar if not the same thing.

I even began noticing how taking time to work on creativity seemed to correspond with better experiences in meditation. The way to the Celestial Mind was primed by both.

I hope to keep exploring this idea, as I find it in a few Taoist Documents, and I think it’s useful. I also now see how Creativity really can be a kind of meditation, and how it enhances our experiences. That Celestial Mind is there, and that’s one way to be in touch with it.

  • Xenofact