Psychology

Art And Spirituality

by

Last column I wrote about how my experiments with art parodying spiritual bullshit and grifty scams had been intriguing.  I understood how art was part of human spirituality,  how it our love of beauty and form and such was a way to powerfully communicate deep experiences.  This made me realize it was time to explore something I’ve been trying to put into words about art and spirituality – my parodic work helped me talk serious stuff, go figure.

Simply put, I think art is inseparable from spirituality as art is the bridge that connects us to the Universe, the Tao, The Big Picture, because it connects to our thoughts and emotions.

The universe is vast and complex, our world is complex, our lives complex – even one person is complex. We’re here trying to understand reality, move within it, live within it – but it’s so big. This is why I like the term “The Tao,” which is essentially “the source of all this and no we can’t really speak of it.”

I’m honest on my biases. But let me go on.

Now we humans, we may be small, but we are aware of how huge everything is. We model the universe, we understand it, we analyze it. To work with it, with each other, to survive, grow, explore, or even just goof off, we have to find ways to handle this great Giant Allness. Philosophy and religion and spirituality are ways to organize and naviate this world and live inside it. Obviously some philosophies and religions don’t work out that well, but you get the idea – a bad plan is still a plan.

How do you connect us to our philosophies and meditations and spells and the greater universe? Well, humans have art. Art is where thought and emotion and sensation all come together, where a single picture or image can lead us to the bigness out there. Art is connection

Art is the bridge between us and The Big Picture, the way we line everything up to really think and feel and experience the greater world. From lovely philosophical writings to complex spiritual charts, awe-inspiring gods and gorgeous meditation hangings, those symmetries and poetries help us connect.  Those synergies of emotion and word and sensation come together and we get something larger than us in a way we can handle.

Art both focuses us and helps us get bigger.

In fact, isn’t most of religion and spirituality really art in the end? Temples and diagrams, pithy advice books and statues of the gods? It’s trying to synthesize infinity and vastness in some way you can work with it, get it, think it, and feel it.

The vast powers of the world are easily understood and appreciated and interacted with in the form of a god. You want to understand the states of existence, but the diagram of the Six Realms makes it easier (and hey, six is a manageable number). We drape art over the universe to make it both comprehensible – and to take us soaring into realms greater than ourselves.

Art, that love of form and color and combination, is the perfect tool to connect us to the universe in all its vast living potential.

I think I managed to sum up my feelings. I’m sure I’ll have more to say, but at least I said it – dare I say, made some art of it.

-Xenofact

The Map Isn’t The Territory But It Is Art

by

For those of you familiar with my art work, you know I love surrealism and I love mashup work. Re-purposing art, finding combinations, and following my inspiration to create strange yet somehow insightful work. There’s a spiritual element to it as I’ve written about before, this kind of art seems to open a connection to something deeper, to part of the real me.

One of the things I’ve gotten into lately (early 2025) is creating “spiritual maps” using my surrealist mashup approach. You know those kind of things, attempts to portray cosmology or ethics or meditation as some kind of chart, or map, or other visual aid? We’ve all seen them, ranging from breathtaking creation to confusing charts that leave us feeling less enlightened (or possibly ripped off).

Well, I make parodies of them, with ideas of “Reincarnation Shards” or the “Primordial Historical Omniworld.” Complex diagrams (using repurposed art) and strange terminology that look like what you’d expect, but are mostly nonsense.

There’s something compelling about these “Spiritual Maps.” Creating my own surreal, parodic ones is both creatively stimulating, but compelling. I have multiple books on religion and alchemy, some of which (like Taschen’s Alchemy and Mysticism) are JUST metaphysical diagrams – and those are incredible to look through. Humans like taking the ineffable and putting it into lines and colors and shapes – even if our goal is to just sell some crappy book on the mystical.

(Honestly, some spiritual grifters are probably at least having FUN when they create their bullshit).

And while doing my work, I have come to understand something about the human mind. We humans do love visual portrayals of things. We love the symmetry and the detail, we love the use of colors and shapes. When that thing is spiritual, there’s something even more to it, that sense of a piece of art that takes us to something bigger.

In the classic “The Tao That Can Be Spoken Isn’t The True Tao” I know we can’t portray the truth on maps. Maps are just that, they’re not the territory, they’re not reality. A map is at best a guide or an inspiration – but those art important. More importantly, they’re inspiring when they’re ART.

A spiritual map that’s a few lines might not be inspiring (I Ching aside). But when a spiritual map is artistic, if it has those colors and lines and extras and details that inspire, then it’s exceptionally powerful. Art, in it’s forms, is critical to spirituality as it helps us connect thought, emotions, and the universe together. A good spiritual map that is also art can be amazingly effective – as long as we don’t take it too seriously.

When I make these parody maps I find it compelling even when I know it’s nonsense. I get why they can be addictive and compelling.

It’s funny, having started doing some surreal parody of ridiculous and graffiti spirituality, I find myself having these deep insights. The maps matter to us as long as we “grasp them little,” and I can see how powerful they are – all while basically messing around.

Art and spirituality aren’t far apart, no matter the kind. Which I may address next column.

-Xenofact

The Talent of Delusion

by

I’ve been thinking about Conspiracy theories a lot. I mean as my regular readers I know I do that anyway, but as 2025 is the age Conspiracy Theories and reality collide at lightspeed, I’m thinking more. Mostly I’m asking how did we get here – not in the exact causal sense, but how the Conspiracy Theorist mind works.

Lately among my readings, viewings, and podcast-listening I realized that Conspiracy Theory Believing requires skill.

If you’ve ever listened to someone go on about Conspiracy Theories, you realize they are retaining a complex alternate world inside their head. They have a skill to retaining and organizing that information about things that are, let us be honest, not true, sometimes bonkers, and often very bigoted under the skin. Yet these folks can recall it.

More than that, they are constantly resolving conflicts in their theories. Conspiracy Theorists are having the world collide with their beliefs all the time. New facts come in, the apocalypse doesn’t come, the hated (often female and/or PoC) politician resigns, the space lasers don’t fire. Conspiracy Theorists have to re-spin their tales all the time or else they have to question them, and if they questioned them they wouldn’t be Conspiracy Theorists. They’re maintenance experts on believing an illusion.

But Conspiracy Theorists also collide, believers who believe vaguely different things come together – and they display a talent for taking new input and combining them. This is the infamous “yes, and” discussions you can see among True Believers, where a person states one belief, and a slightly different believer agrees, then adds onto it. If you’ve witnessed a Conspiracy Theorist get on a good rant going at an event or in a conversation, you can see this happen at amazing speed as people ask questions.

(The Knowledge Fight podcast focuses on Alex Jones, but has covered other subjects, and in almost all cases you can see their subjects build mythology in real time.)

Conspiracy Theory is a skill, skill is similar to if not exactly the same as the worldbuilding done by writers, gamers, game designers, and artists. They have an ability to create on the fly, to recall vast information, and to adsorb and polish information. The jaw-dropping connections of a Tonspiracy Theorist are all too close to the clever ideas of a good writer to act like they’re not two branches of the same tree.

Conspiracy Theorists are easier to understand if you realize they had a skill at such creations (that they misused) or that they have developed it. It also means the evil grifters are even worse because they have some skill here and use it to screw up the world.

This gives me pause to other ways we might use such an insight to help those lost in these conspiracy worlds to get out.

  • We can recognize this “talent at fabulation” by asking “does this person sound like they’re worldbuilding?” It’s a key to detection. Also if the theorist in question is some evil grifter, we can help people avoid them.
  • If we’re trying to help the Conspiracy Theorist, realizing a skill is being deployed will allow us to help them find their way back with the various oft-discussed techniques.
  • This skill they developed might be channeled elsewhere. As facetious as it sounds, I wonder how many people who have developed this creative skill might find outlets elsewhere. I’m not saying they should write fiction, but who knows?

It’s strange as I think over this insight. I realize some people I’ve seen, some I despise, really do have a skill. It’s just been used or developed in ways making the world worse.

-Xenofact