Creativity

The Talent of Delusion

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I’ve been thinking about Conspiracy theories a lot. I mean as my regular readers I know I do that anyway, but as 2025 is the age Conspiracy Theories and reality collide at lightspeed, I’m thinking more. Mostly I’m asking how did we get here – not in the exact causal sense, but how the Conspiracy Theorist mind works.

Lately among my readings, viewings, and podcast-listening I realized that Conspiracy Theory Believing requires skill.

If you’ve ever listened to someone go on about Conspiracy Theories, you realize they are retaining a complex alternate world inside their head. They have a skill to retaining and organizing that information about things that are, let us be honest, not true, sometimes bonkers, and often very bigoted under the skin. Yet these folks can recall it.

More than that, they are constantly resolving conflicts in their theories. Conspiracy Theorists are having the world collide with their beliefs all the time. New facts come in, the apocalypse doesn’t come, the hated (often female and/or PoC) politician resigns, the space lasers don’t fire. Conspiracy Theorists have to re-spin their tales all the time or else they have to question them, and if they questioned them they wouldn’t be Conspiracy Theorists. They’re maintenance experts on believing an illusion.

But Conspiracy Theorists also collide, believers who believe vaguely different things come together – and they display a talent for taking new input and combining them. This is the infamous “yes, and” discussions you can see among True Believers, where a person states one belief, and a slightly different believer agrees, then adds onto it. If you’ve witnessed a Conspiracy Theorist get on a good rant going at an event or in a conversation, you can see this happen at amazing speed as people ask questions.

(The Knowledge Fight podcast focuses on Alex Jones, but has covered other subjects, and in almost all cases you can see their subjects build mythology in real time.)

Conspiracy Theory is a skill, skill is similar to if not exactly the same as the worldbuilding done by writers, gamers, game designers, and artists. They have an ability to create on the fly, to recall vast information, and to adsorb and polish information. The jaw-dropping connections of a Tonspiracy Theorist are all too close to the clever ideas of a good writer to act like they’re not two branches of the same tree.

Conspiracy Theorists are easier to understand if you realize they had a skill at such creations (that they misused) or that they have developed it. It also means the evil grifters are even worse because they have some skill here and use it to screw up the world.

This gives me pause to other ways we might use such an insight to help those lost in these conspiracy worlds to get out.

  • We can recognize this “talent at fabulation” by asking “does this person sound like they’re worldbuilding?” It’s a key to detection. Also if the theorist in question is some evil grifter, we can help people avoid them.
  • If we’re trying to help the Conspiracy Theorist, realizing a skill is being deployed will allow us to help them find their way back with the various oft-discussed techniques.
  • This skill they developed might be channeled elsewhere. As facetious as it sounds, I wonder how many people who have developed this creative skill might find outlets elsewhere. I’m not saying they should write fiction, but who knows?

It’s strange as I think over this insight. I realize some people I’ve seen, some I despise, really do have a skill. It’s just been used or developed in ways making the world worse.

-Xenofact

Creativity and the Celestial Mind

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In my readings of Taoist mysticism, there’s an idea from some works (that dates back a bit over 1000 years by my guess) that describe the Human Mind and the Celestial Mind. The Human Mind is often described in terms of Yin, the receptive force of the universe, but a very pathological form – grasping, distracted, etc. Meanwhile the Celestial Mind, the enlightened mind, is described as Yang, the creative force, but concealed by the Human Mind. The creative power and the receptive form-giver are out of wack.

I found this concept helped appreciate my artistic creativity and it’s helped me in my meditations. In fact, I plan to write on this more.

The metaphor of the Human versus Celestial Mind is a helpful metaphor understand meditation. Our human mind, pursuing various activities like breathing, clarifies and calms itself, so something else emerges – the Celestial Mind. We’ve probably all been there – a state of clarify, powerful, subtle, and of course something we keep getting back to again and again as we keep getting away fro it.

With this metaphor of this Celestial Mind, this clear and calm yet somehow powerful and creative force, I began noticing something about my creativity.

When I was really creative, such as with my surrealist art, there was something about it. It was emergent, it wasn’t exactly part of my “everyday mind.” After a good art session I felt different, in touch with something, though it was almost like there was a hole in my regular self that something else poured through. It felt similar to what happened in meditations, those moments where you’re gone but something is there.

I also noticed similar experiences with energy work. Meditating on bodily energies (wether you consider them more metaphor like me or not) leads to a kind of clarity and a sense of something deeper within us. When you’re aware of your body, you’re aware of all the STUFF going on. This was also similar to that sense of creativity, of touching something greater.

Using the above metaphor of Human and Celestial Mind, of a pathological form of Yin and a concealed Yang, I appreciated the meditative element of creativity. When you really get going something shifts, the everyday you fades away and something else comes out. The “you” experienced in meditation and the creative you are similar if not the same thing.

I even began noticing how taking time to work on creativity seemed to correspond with better experiences in meditation. The way to the Celestial Mind was primed by both.

I hope to keep exploring this idea, as I find it in a few Taoist Documents, and I think it’s useful. I also now see how Creativity really can be a kind of meditation, and how it enhances our experiences. That Celestial Mind is there, and that’s one way to be in touch with it.

  • Xenofact

Writing, Publishing, and What’s Next

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Bundling up my columns here as my Xenofact Xines (yes, I’m sticking with Xine not zine) was both an artistic endeavor and an experiment. It was an artistic endeavor as it seemed fun and creative, something to do as it was neat not out of some calculation and coordination. It was also an experiment to see how that helped me reach out to, connect with, and communicate with people. As a writer under several names, a good experiment keeps you from falling into a rut.

I was thrilled when one of the Xine readers said they had sat down and read the whole thing, taking notes. While talking on the phone they had so much to tell me, to ask, and to speculate on. However they had a question.

“What do I do now?”

Was the phone right? An email? Should they write in their own blog? Should they post things to my website? My answer was simple.

“I don’t know!”

This was an experiment! I wanted to mess around, reach out to people in a different way, and see what happened. Well, what happened was one of my friends felt inspired and wanted to communicate more. I figured we’d work out the fine details eventually, but at least something was happening.

Experiment successful – something happened.

Experiment ongoing – we’re still figuring out what to do.

So many times we get stuck in one creative way of communicating. We do art in one medium, publish our written works only as ebooks or only as blog posts, and so on. So many of us fall into habit, into expectation, and into doing thing “the right way.”

But communication is about connecting and reaching people. It must by it’s nature be experimental because everyone is different and every communication is new. To over-organize it is to make it less communicative and more rote – data without information.

So, my friends, I invite you to look at your creative communications – art, writing, blogging, podcasting, publishing, costume, whatever. I challenge you to try something different as an experiment (it may also be fun). See what happens when you use a different medium, publishing method, or, well, anything.

Let’s see what happens.

(Oh and you can get a PDF of my first Xine here and here, or a print copy here.)

– Xenofact